Archive

Selected bibliography
Archives Soto

1953 – 1959

Bucarelli, Palma. La galerie nationale d’art moderne. Rome, Italy: Instituto Poligrafico dello stato, 1953

Diehl, Gaston. El arte moderno francés en Caracas. Caracas, Venezuela: Cuatro Vientos, 1959

1960 – 1969

Bann, Stephen, Gadney, Reg, Popper, Frank et al. Kinetic Art. London, England: Motion Books, 1966

Brett, Guy. Kinetic art – The langage of movement. New York – USA / London – England: Ed.Reinhold / Studio Vista, 1968

Compton, Michael. Optical and Kinetic Art. London, England: Tate Gallery Publication, 1967. Reissue 1974

Freudenheim, Tom L. “Kinetic art” in The Buffalo Fine Arts Academy – Albright-Knox Art Gallery, Gallery notes. Buffalo, USA: The Buffalo Fine Arts Academy, vol. 24, n°2, 1966

Instituto de Cultura y Bellas Artes. Jesús Soto, Inciba – Arte 2. Caracas, Venezuela, 1967

Meneses, Guillermo. La peinture au Venezuela. Caracas, Venezuela: Publicación de la Secretaría de la Presidencia de la República, 1964

Segy, Ladislas. Geometric Art and aspects of reality; a phenomenological approach. Printed by The Centennial Review, 1967

Wember, Paul. Bewegte Bereiche der Kunst. Krefeld, Germany: Edition Scherpe Verlag Krefeld, Kaiser Wilheelm Museum Krefeld, 1963

1970 – 1980

Acevedo Mijares J.F. Historia del arte. Caracas, Venezuela: Cultural Venezolana S. A., First edition 1969, Second edition 1971

Boulton, Alfredo. Soto. Caracas, Venezuela: Ernesto Armitano, 1973
Fratelli Fabbri. Enciclopedia Universale Frabbri. Milan, Italy, 1971

Harry N. Abrams. An introduction to the Hirshhorn museum and sculpture garden. New York, USA, 1974

Kunstmuseum Basel. Kunstmuseum basel Katalog 19./20. Jahrhundert. Basel, Switzerland, 1970

Ltd Kodansha. Form and structure. Japan: Terruo Fujieda, 1971

Museum Boymans-van Beuningen Rotterdam. Kunst van de 20e eeuw. Rotterdam, Netherlands, 1972

Popper, Franck. Art, action, participation 1 – Le déclin de l’objet. Paris, France : Edition du Chêne, 1975

Rotzler, Willy. Constructive Concepts – A history of Constructive Art from Cubism to the present., Zurich, Switzerland: ABC, collection McCrory Corporation, New York, 1977

Saba Sardi, Francesco. Collezione Calderara – Vacciago. 1978

1980 – 1990

Barbier, Nicole, Souviron, Claude et Rousseau, Vincent. 20 œuvres du musée des Beaux-Arts de Nantes 1940/1980. Rennes, France: Musée des beaux-arts, 1983

Bonet Correa, Antonio. Colección arte siglo XX. Alicante, Spain: Edition Colección Arte Siglo XX, Museo Municipal “Casa de la asegurada“, 1981

Boulton, Alfredo. La Pintura en Venezuela. Caracas, Venezuela: Macanao, 1987

Calzadilla, Juan. Museo El Palmar. Caracas, Venezuela: Euzko-Americana de ediciones, S. A. Printed in Spain, 1979.

Comité d’organisation des jeux olympiques de Séoul. Olympiade des Arts. Paris, France: Edition Ante Glibota and Paris Art Center, 1988

Hara museum of Contemporary Art. The Hara Museum. Tokyo, Japan, 1985

Joray, Marcel, Ragon, Michel, Seuphor, Michel. SOTO. Neuchâtel, Switzerland: Editions du Griffon, 1984

Mahlow, Dietrich. 100 Jahre Metallplastik. Frankfurt am Main, Germany: Metallgesellschaft AG, 1981

Musée d’art contemporain de Lyon. Collection 1989. Lyon, France, 1989

Museo “Casa de la asegurada”. Collection arte siglo XX. Alicante, Spain, 1981

Museum Morsbroich. Malerei – Plastik – Objekte. Morsbroich, Germany, 1985

Olivencia, Manuel. Expo’92 Sevilla. Sevilla, Spain: Edition Sociedad Estatal para la Exposición Universal Sevilla 92, 1989

Rijksmuseum Kröller-Müller. Sculptures in the Rijksmuseum Kröller-Müller. Otterlo, Netherlands, 1981

Squatriti, Fausta, Argan, Giulio Carlo, Gomringer, Eugen et al. EXACTA. Milan, Italy: Fausta Squatriti, 1985

1990 – 1999

Adam Biro. Bernard Anthonioz ou la Liberté de l’art. Paris, France, 1999

Archer, Michael. Art since 1960. London, England: Thames and Hudson, 1997

Arnstein, Gustavo. Comprensión de Soto. Valencia, Venezuela: Universidad de Carabobo, Dirección de Medios y Publicaciones, 1999

Bayón, Damián and Pontual, Roberto. La peinture de l’Amérique latine au XXè siècle. Paris, France: Mengès, 1990

Bonis, Bernadette, Le Bourhis, Jocelyne, Gandit, Aurélie. Les créations du ballet théâtre contemporain. Lyon, France: Fage, 2003

Bozovic, Zoran L. Razgovori o likovnoj umetnosti III. Belgrade, Serbia: CICERO, 1998

Braus. Museum für Konkrete Kunst, Ingolstadt. Heidelberg, Germany, 1993

Calzadilla, Juan. El Museo de Arte Moderno de Mérida Juan Astorga Anta – La Colección. Mérida, Venezuela: Museo de Arte Moderno de Mérida Juan Astorga Anta, 1995

Caraballo, Lía, Cárdenas, María Luz, Duque, Luis Angel et al. Una visión del arte contemporáneo Venezolano. Caracas, Venezuela: Ex libris, 1000 copies, 1995

De la Vega, Marta. Angel Hurtado. Prologue de Jesús Soto. Caracas, Venezuela: Armitano Editores, 1995

Feldhaus, Friedhelm. Sitz der Dresdner Bank AG in Berlin. Hamelin, Germany: Dresdner Bank, SUSA-Verlag, 1999

Fundación Valencia III Milenio. Tercer Milenio Valencia, Mémoire d’activités 1997. Valence, Spain, 1998

Guevara, Roberto, Niño, William, Ramos, María Elena et al. La construcción de la mirada, XX años del Museo de Arte Moderno Jesús Soto. Ciudad Bolivar, Venezuela : Fundación Museo de Arte Jesús Soto, 1993

Granados Valdes, Antonio. Artistas de América. Madrid, Spain: Gráficas Joma, 1993

Grand, France. Comme des garçons. Paris, France: Assouline, 1998

Griziaux, Jean-Paul, Paul, Jean-Louis. L’alliance de l’art et de la technologie – KPMG à la défense. May 1997

Hindry, Ann. Renault and Art, a modern aventure. France: Hazan, 1999

Jeu de Paume la librairie. Catalogue des nouveautés. Paris, France, June 1996 – April 1997

Lin, Mun-lee, De Turenne, Solange Auzias, Chang, Fang-wei. Les Champs de la Sculpture; Outdoor Sculptures of the 20th Century in Taipei. Taipei, Taïwan: Editions Exhibition Department, Taipei Fine Arts Museum, 1998

Mayor, Frederico. L’UNESCO. Foyer vivant des bonheurs possibles. Paris, France: Flammarion, Texts and illustrations Unesco, 1991

Ministère de la Culture. Grands prix nationaux 1995. Paris, France, 1995

Okazaki, Masao, Minai, Kimiaki, Soto, Jesús Rafael et al. Welcoming Flag. Tokyo, Japan: Contemporary Sculpture Center, 1995

Rojas-Mix, Miguel. Museo de la Solidaridad Salvador Allende, Obras Seleccionadas. Santiago de Chile, Chile: Fundación Salvador Allende, 1994

Schumacher, Ulrich. Moderne Galerie – Die Sammlung. Bottrop, Germany: Quadrat Bottrop museum, 1996

Shinmyung graphics Co. The National museum of contemporary art. Korea, 1993

Soto, Jesús Rafael. Colloquio sul tema: La Dimensione Scientifica Dello Sviluppo Culturale. Rome, Italy: Accademia Nazionale dei Lincei, 1990

The national museum of contemporary art. Terskel-Threshold. Oslo, Norway, n°7, vol. 3, february 1992

Université de Rennes 1. “L’art chemin faisant – Les œuvres de l’université de Rennes 1” in Université de Rennes. Rennes, France, 1993

Verheuge, Robert, Frémiot, Marcel, Mandelbrojt, Jacques et al. et/ou des arts face aux sciences. Marseilles, France: Laboratoire Musique et Informatique de Marseille, 1995

Westermann. Museum für Konkrete Kunst Ingolstadt. Brunswick, Germany, 1991

Worldwide Edition: E.M. Edition. Sous le haut patronage de l’ONU, Déclaration universelle des droits de l’homme – Liberté 98 – Les artistes créent la liberté. September 1998

2000 – 2009

Beracasa, Eduardo, Marrero, Yuly. Francia-Venezuela, 2002

Besson, Christian, Aschiéri, André, Biec-Morello, Odile, Honegger, Gottfried. Utopie concrète, Dix ans à l’espace de l’art concret. Mouans-Sartoux, France: Espace de l’Art Concret, 2000

Bouruet-Aubertot, Véronique. L’art contemporain. Série Arts. France: Autrement et CNDP, 2005

Bourgeois, Anne. Parisiens. France: Mathilde Kressmann, 2005

Castillo, Ramón, Cárdenas, Elisa, Rosenfeld, Daniela et al. Arte en su espacio. Santiago de Chile, Chile: Artespacio, 2005

De Chassey, Eric. Minimal to the Max. The Brownstone collection at the Norton museum of art. West Palm Beach, USA: Norton Museum of Art, 2003

Harper, Glenn, Moyer, Twylene, Wilkin, Karen et al. A sculpture Reader, Contemporary sculpture since 1980. Hamilton, USA: Glenn Harper and Twylene Moyer, 2006

Hernández Fonseca, Alexis. SOTO la dialéctica. Caracas, Venezuela : Bancoex – Editorial Arte, 2000

Hindry, Ann, Renard, Micheline. Renault la collection d’art. Paris, France: Flammarion, 2009

Jiménez, ArielAlfredo Boulton and his contemporaries, critical dialogues in venezuelan art 1912-1974. New York, USA: The museum of modern art, 2008

Jiménez, Ariel. Conversaciones con Jesús Soto. Caracas, Venezuela: Fundación Cisneros, 2005

Kalenberg, Angel, Jímenez, Ariel. Geo-Metrías, Abstracción Geométrica Latinoamericana en la Colección Cisneros. Caracas, Venezuela: Departamento de publicaciones – Fundación Cisneros, 2003

Le Thorel, Pascal. Nouveau dictionnaires des artistes contemporains. Paris, France: Larousse, 2008

Lisbonne, Karine, Zürcher, Bernard. L’Art avec pertes ou profit. Paris, France: Flammarion, 2007

Lucie-Smith, Edward, Kilstok, Fishel, Yares, Dennis. Riva Yares 2000.
Scottsdale / Santa Fe, USA: Riva Yares Gallery, 2000

Museo de arte contemporaneo de Zulia. 2001. Maracaibo, Venezuela: J&Eme, 2000

Naves, Rodrigo, Arnaud, Raquel. Raquel Arnaud e o olhar contemporâneo. São Paulo, Brazil: Cosac Naify, 2005

Pérez-Ratton, Virginia, Díaz Bringas, Tamara. Estrecho Dudoso. Edition Virginia Pérez-Ratton and Tamara Díaz

Ramírez, Mari Carmen, Olea, Héctor. INVERTED UTOPIAS Avant-garde art in Latin America. Houston, USA: Héctor Olea, 2004, Yale University Press, The Museum of Fine Arts

Rodríguez, Bélgica. SOTO. Caracas, Venezuela : Estrategias Editoriales, 2009

Sanoja, Chuchito. No tengo prisa, Homenaje a Jesús Soto. Caracas, Venezuela: Fundación artis terrae, Alejandro Jurado and Ramón Hernández, 2007

Uslar Pietri, Arturo, Silva, Carlos, Soto, Jesús. Soto y la escritura. Venezuela: Ninoska Huerta, 2000

Varnedoe, Kirk. Pictures of nothing. Princeton / Oxford, USA / England: Princeton university press, 2003

Venet, Diane. Bijoux sculpture – l’art vous va si bien. Paris, France: Gallimard, 2008

2010 – 2019

Airaud, Stéphanie, Azaïs, Camille, Beigel, Arnaud et al. Parcours de la collection. Vitry-sur-seine, France: MAC VAL, 2014

Alberro, Alexander. Abstraction in reverse. The Reconfigured Spectator in Mid-twentieth-Century Latin American Art. Chicago, USA: The University of Chicago press, 2017

Amor, Monica. Theories of the nonobject. Oakland, USA: University of California press, 2016

Cabañas, Kaira, Ledezma, Juan C., Rottner, Nadja. Resonant space. The colorhythms of Alejandro Otero. São Paulo, Brazil: Instituto de arte contemporanea, 2014

Castany, Laurence. Le Centre Pompidou : La création au cœur de Paris. Paris, France: Centre Pompidou, 2011

Cempellin, Leda, Räderscheidt, Barbara. The Ideas, Identity and Art of Daniel Spoerri. Contingencies and Encounters of an ‘Artistic Animator’. Delaware, USA : Vernon Press – Vernon Series in Art, 2017

Centre Pompidou. Modernités plurielles. Paris, France, 2013

Goldberg, Itzhak. Installations. Paris, France: CNRS éditions, 2014

Gullar, Ferreira, Cohn, Flavio. Homenagem2. São Paulo, Brazil: Dan Galeria, 2011

Jiménez, Ariel. Jesús Soto In conversation with / en conversación con Ariel Jiménez. New-York, USA: Fundación Cisneros, 2012

Jiménez, Ariel. Jesús Soto : Conversa com Ariel Jiménez. São Paulo, Brazil: Fundación Cisneros – Cosac Naify, 2014

Jiménez, Ariel. Una America diversa, el idioma silente de las formas. Caracas, Venezuela: Maria Graciela Gill de Oberto, 2013

M hka. Nieuwe kunst. Antwerp, Belgium, 2012

Musée d’art contemporain du Val-de-Marne. Le MAC VAL a 10 ans. Vitry-sur-Seine, France, 2015

Newby-Haspeslagh, Martine. Jewelry as sculpture as jewelry. London, England: Didier LTD, 2013

Vicario, Gilbert, Ramirez, Mari Carmen, Cere Jido, Elizabeth. Cosmopolitan routes – Houston collects Latin American Art. Houston, USA: The Museum of Fine Arts, 2011