Soto’s work unfolds along the entire length of the Centro de Acción Social por la Música’s façade, gradually making appear different staggered levels.
The rods extend across two levels inside the building, providing a sense of depth, whilst outside, the yellow rods align with the building’s façade. On this same façade, on its righthand side, the ovoid emerges towards the street, creating a link between the exterior and the interior.