Soto’s work unfolds along the entire length of the Centro de Acción Social por la Música’s façade, gradually making appear different staggered levels.
![Soto. "Ovoïde Fesnojiv", 2004 Centro de Acción social por la Música, Caracas](https://jesus-soto.com/wp-content/uploads/2023/06/2004-soto-ovoide-fesnojiv-centro-de-accion-social-musica-caracas.jpg)
Soto. “Ovoïde Fesnojiv”, 2004
Centro de Acción social por la Música, Caracas
Archives Soto / All Rights Reserved
The rods extend across two levels inside the building, providing a sense of depth, whilst outside, the yellow rods align with the building’s façade. On this same façade, on its righthand side, the ovoid emerges towards the street, creating a link between the exterior and the interior.
![Soto's work, "Ovoïde Fesnojiv", 2004, visible on the facade of the Centro de Acción social por la Música, Caracas](https://jesus-soto.com/wp-content/uploads/2023/06/2004-soto-ovoide-fesnojiv-caracas-facade.jpg)
Soto. “Ovoïde Fesnojiv”, 2004
Centro de Acción social por la Música, Caracas
Archives Soto / All Rights Reserved